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— Early Music Concert Series —
... or through the world in the footsteps of Don Quixote. Open-air event with workshop and children’s playground.
Sunday 18. May 2014 15:00–18:00 — courtyard of Dům pánů z Kunštátu (house of the lords of Kunštát, now The Brno House of Arts), Dominikánská 9, CZ–60200 Brno.
(In case of bad weather, the event takes place inside the building.)
You might think that chivalrous ideals only can be found in dusty books nowadays, yet for more than four centuries Don Quixote is here with us, the Knight of the Sorrowful Countenance and an incorrigible dreamer. Although he never left the Spanish region La Mancha, his footsteps can be found around the world, more than any other literary hero. Musical Delicacies welcome you on this journey to discover the compositions he inspired — from Spain, the “empire on which the sun never sets”, with conquistadores to the New World and back again. Music and dances full of temperament from baroque Spain, love songs from France, English masques and Italian opera. In each of us there sleeps a bit of a knight, devoid of fear and shame.
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Alla Danza
Jitka Dofková — dance
Societas Incognitorum
Jaroslava Dosedlová — dance Lenka Horalová — dance Hana Humpolíková — dance Eva Jančíková — dance Štěpánka Skalická — dance
Eduard Tomaštík — song
Bakchus
Yvetta Fendrichová — song Kateřina Šujanová — song Ondřej Múčka — song Martin Šujan — song
Richard Závada — bagpipe, shawm, baroque guitar, theorbo
Capella Ornamentata
Radek Seidl — shawm, song Vladimír Třebický — percussion, song Václav Polívka — violin, song
Richard Šeda — cornetto
Tourdion
Radovan Vašina — cornetto Marek Columby — cornetto Gustavo Gargiulo — cornetto Pavel Novotný — sackbut Daniel Flek — sackbut Jan Klimeš — dulcian
Marta Kratochvílová — renaissance and baroque traverso
Mirka Holá — renaissance and baroque traverso |
Vladimír Řezáč — actor Andrea Široká — song Jitka Rosypalová — song Roman Hoza — song Eva Kalová — violin Anna Vargová — viola da gamba Jan Čižmář — theorbo, baroque guitar, vihuela Jakub Mitrík — theorbo, baroque guitar Bára Hulcová — renaissance lute Ondrej Olos — harpsichord Anežka Šejnohová — children’s corner Jan Čižmář — musical preparation Patricie Částková — staging |
— Text recitals (in Czech only) are shown in Italics —
Alonso Lobo (1555 – 1617): Maria Magdalena à 6
Anonym (16. c.): Quel farem del pobre Joan (Cancionero de Upsala, XXX)
Anonym (16. c.): Falai meus ollos (Cancionero de Upsala, LIII)
Nicolas Gombert (cca. 1495 – cca. 1560): Dezilde al cavallero (Cancionero de Upsala, XLVI)
Francisco Guerrero (1528 – 1599): Sancta et Immaculata à 4
Christóbal de Morales (cca. 1500 – 1553): Regina Coeli à 6
Anonym (15. c.): Rodrigo Martinez (Folia) (Cancionero de Palacio)
Galician bagpipes
Miguel de Cervantes Saavedra (cca. 1547 – 1616): Důmyslný rytíř Don Quijote de la Mancha — výběr
Alonso Mudarra (cca. 1510 – 1580): Fantasía que contrahaze el arpa a la manera de Ludovico
Matteo Flecha (1481 – 1553), Miguel de Fuenllana (cca. 1500 – 1570): Si Amores me han de matar
Juan del Ençina (1468 – 1529): Pues que mi triste penar (Cancionero de Palacio)
Anonym (15. c.): Donsella, non preguntéis (Cancionero de Palacio)
Gaspar Sanz (1640 – 1710): Folia
Lope de Vega (1562 – 1635): To není láska, to je trápení
Matías Juan de Veana (1654 – 1705): Solo al Santísimo
Anonym: No ha may flandes
Anonym: El Gallinasito, Baile de Arequipa (Biblioteca Nacional del Perú, ms. D9950)
Anonym: Tonada El Diamante (Códice Trujillo del Perú o Martínez Compañón, Tomo II, cca. 1782 – 1785)
Anonym: Bolivian traditional
Cyrano de Bergerac (1619 – 1655): Dopisy
Étienne Moulinié (1599 – 1676): Paisible et ténébreuse nuit
Michel Lambert (1610 – 1696): Par mes chants
Étienne Moulinié (1599 – 1676): Puis que Doris
Jean-Baptiste de Lully (1632 – 1687): Passacaille z opery Armide
François de Chancy (1600 – 1656): Autrefois nos trompeuses voix
Jean le Houx (1515 – 1616): Láhev je pancíř
Marin Marais (1656 – 1728): Les Folies d’Espagne
Molière (Jean-Baptiste Poquelin, 1622 – 1673): Verše milostné
Joseph Bodin de Boismortier (1689 – 1755): Don Quichotte chez la duchesse
Marche — Choeur — Menuet — Tambourin
Miguel de Cervantes Saavedra (cca. 1547 – 1616): Důmyslný rytíř Don Quijote de la Mancha — výběr
Joseph Bodin de Boismortier (1689 – 1755): Don Quichotte chez la duchesse
Air pour le désenchantement — Gavotte —
Air Montesino / Choeur de Démons — Marche — Air Une Japonnoise — Chaconne
John Wilbye (1574 – 1638): Cease sorrows now
John Farmer (cca. 1570 – cca. 1601): Fair Phyllis I saw
John Bennet (cca. 1575 – po 1614): Weep, o mine eyes
Thomas Morley (1557/58 – 1602): I love, alas I love thee
Anonym: Pakington’s Pownde (Folia) (Fitzwilliam Virginal Book)
Miguel de Cervantes Saavedra (cca. 1547 – 1616): Důmyslný rytíř Don Quijote de la Mancha — výběr
Matthew Locke (cca. 1621 – 1677): Five-part tthings for His Majestys Sagbutts and Cornetts (1661?)
Thomas D’Urfey (1653 – 1723): The Comical History of Don Quixote — výběr
Henry Purcell (1659 – 1695): The Comical History of Don Quixote
Sing all ye muses
Royal flute consort
Thomas D’Urfey (1653 – 1723): The Comical History of Don Quixote — výběr
Henry Purcell (1659 – 1695): The Comical History of Don Quixote
Let the Dreadful Engines
Thomas D’Urfey (1653 – 1723): The Comical History of Don Quixote — výběr
Henry Purcell (1659 – 1695): The Comical History of Don Quixote
Genius of England
Gottfried August Bürger (1747 – 1794): Rytíř a jeho milá
Antonio Vivaldi (1678 – 1741): Sonata a tre, op. 1 no. 12, La Folia
Georg Philipp Telemann (1681 – 1767): Don Quichotte auf der Hochzeit des Comacho
La reveille de Quixotte — Le Galop de Rosinante
Miguel de Cervantes Saavedra (cca. 1547 – 1616): Důmyslný rytíř Don Quijote de la Mancha — výběr
Georg Philipp Telemann (1681 – 1767): Don Quichotte auf der Hochzeit des Comacho
Son attaque ver Moulens a Vent — La Couche de Quixotte
Carl Philipp Emanuel Bach (1714 – 1788): 12 Variationen auf die Folie d’Espagne
Rudyard Kipling (1865 – 1936): Staronové rytířství
Scottish bagpipes
The event takes place with financial support by the Ministry of Culture of the Czech Republic and the Statutory City of Brno.
We thank harpsichord maker Vít Bébar for lending and tuning instruments.
