— Early Music Concert Series —
Travelling musicians — On the road between Prague and Vienna: Internationality at the Habsburg courts.
Sunday 26 July 2020 19:00 — St. John’s Church, Preysingplatz 1, 81667 Munich, Germany.
Ensemble Phoenix Munich:
|Samuel Friedrich Capricornus (1628 — 1665)||Exaudi me Domine quoniam benigna est|
|Giovanni Felice Sances (1600 — 1679)||Stabat mater (Pianto della Madonna)|
|Alessandro Poglietti (early 17th c. — 1683)||Ricercare|
|Giovanni Felice Sances (1600 — 1679)||Dominus possedit me|
|Heinrich Ignaz Franz Biber (1644 — 1704)||Rosary Sonata 1: The Annunciation|
|Heinrich Ignaz Franz Biber (1644 — 1704)|
Reconstruction of soprano part: Domen Marinčič
|Samuel Friedrich Capricornus (1628 — 1665)||Sonata (in Bertali)|
|Antonio Bertali (1605 — 1669)||Omnes sancti angeli (Geistliches Oster-Konzert)|
|Gottfried Finger (cca. 1660 — 1730)|| Suite A major|
Prelude — Ciaconne
|Pavel Josef Vejvanovský (cca. 1633 — 1693)||Quid quid agam|
|Pavel Josef Vejvanovský (cca. 1633 — 1693)||O bona crux|
|Samuel Friedrich Capricornus (1628 — 1665)||Jauchzet dem Herrn alle Welt|
Mobility has always been part of the music profession. Ensemble Phoenix Munich takes a look at the impact of Baroque composers, who travelled to work at the Habsburg Courts.
There are strikingly beautiful and affective virtuoso motets by Giovanni Felice Sances (1600–1679), who was born in Rome, including the Stabat mater for soprano and Dominus possedit me for bass. From 1636 Sances worked as a singer, later as conductor at the Vienna Court. His excellent compositions deserve more attention!
A Salve Regina (reconstruction of the lost soprano part: Domen Marinčič) by the composer Heinrich Ignaz Franz Biber (1644–1704), who came from Bohemia and started his career in Kroměříž (Czech Republic), is an interesting rarity. The sacred works of the composer and trumpeter Pavel Josef Vejvanovský (ca. 1633–1693), newly transcribed by EPM, clearly show the influence of his predecessor Heinrich Biber.
A solo suite for lute by Gottfried Finger (ca. 1660–1730) from Olomouc, enriches the musical journey. In addition to London, his professional career took him to many places in Germany.
Omnes sancti angeli by Antonio Bertali (1605–1669) for bass, violin and continuo shows the dramatic prowess of a composer skilled in writing operas, oratorios, liturgical works and chamber music for the court in Vienna. Born in Verona, he worked before Sances as Kapellmeister at the Vienna Court. Much of his work has survived thanks to copies by his contemporary Pavel Josef Vejvanovský, some of which are kept in the famous Kroměříž archive.
Samuel Friedrich Capricornus (1628–1665) was a Czech composer who, like Sances and Bertali, worked as a musician in Vienna before settling in Stuttgart as Kapellmeister. EPM presents some treasures of his, such as Exaudi me Domine and Jauchzet dem Herrn alle Welt for soprano and bass, violin and continuo. There is also a sonata for gamba, violins and continuo that was attributed to Bertali, but was actually written by Capricornus, who was lesser known, — maybe it sold better with Bertali’s name?
The concert takes place with financial support from the Česko-německý fond budoucnosti, the Cultural Department of the district of Upper Bavaria, the Bavarian State Ministry for Science and Art, and the Czech Center Munich.